Polka


-----------Polka----Yves Klein Blue----------- tabbed by borck borck (ja_._@hotmail.com) This is only the chords that michael plays. during the verse the Dbm chord is best played as it is during the intro note the [] symbolise measures/bars. i would play the normal F# like this E-2 B-2 G-2 D-4 A-4 E-2 and the F#(2) like this E- B-11 G-11 D-11 A-9 E- the normal E should be played like this E- B-9 G-9 D-9 A-7 E- the E(2) like this E-0 B-0 G-1 D-2 A-2 E-0 intro e-----------------------------------------| B---5---5----5---5-----5----5-------------| G---6---6----6---6-----6----6-------------| D---6---6----6---6-----6----6-------------| A-4--------4---------4---------4-------3--| E-----4--------4----------4-------4--6----| Verse C#m Brother hold your head this way Ab And bustle to the front of the line E Ab Coz if they catch your eyes before you get inside, C#m Well you'll never be allowed C#m People got a name for us E Ab Coz we escape the strain of the days F# A Oh we stretch in the side and bend in the middle, C#m But we never ever break C#m C#m/Ab A E But if you feel that way now C#m C#m/Ab A F# Or if you feel so inclined C#m F#(2) E A Ab Skip past the doors of boring forty-somethings and rise C#m C#m/Ab A E Oh and if you wanna lose your frown C#m C#m/Ab A F# Or your name or even your face C#m F#(2) E A Ab C#m Lick up a dream that seemingly sings with whistling neon breath It goes thru the same few chord progressions again then to the chorus which is instrumental Chorus [A D][E ][C#m E][B ][E (2 fr.) ][Ab ][Ab ] repeat. Then back into the verse After second chorus [C#(not minor)][Ab ][C# ][Ab ][Ab ] Ohhhhhhhhhhhh.... F#m B E A All your spirits gone, and you are barley alive. D Ab C#m You hand me a smoke, though it’s like you hardly notice F#m B And it’s sad I suppose E A When I look into your eyes you say D Ab D Ab It seems to go this way, no matter what’s at stake, D Ab C#m Oh it seems to go this way with everything I start guitar solo the chord progression is the same as in the verse, soloing in the Dbm scale tends to sound pretty good C#m C#m/Ab A E Oh so if you feel that way now C#m C#m/Ab A F# Or if you ever feel so inclined C#m F#(2) E A Ab Skip past the doors of boring forty-somethings and rise C#m C#m/Ab A E But if you want to lose your frown C#m C#m/Ab A F# Or your name or even your face C#m F#(2) E A Ab C#m Lick up a dream that seemingly sings with rushing neon breath